Showing posts with label blue shirtwaist. Show all posts
Showing posts with label blue shirtwaist. Show all posts

Friday, November 12, 2010

Weesha!

explosion of color and ruffli-girliness
 
So, a week or two ago i stumbled across a nice little (big!) surprise - Weesha had included my site on her blogroll!  'This sort of thing' is still pretty new to me, so i got very excited.  It seemed like a good excuse to do a little introduction/recommend of Weesha's World here on the blog.

hardcore: edgy and tough
 By now, even if you've never heard of Weesha before, you know that she has great style and an incredible range. Which makes her blog well worth your time. But even more, i appreciate her outlook. While a determined optimist, Weesha acknowledges that life is hard and unfair, that crummy things do happen for rotten reasons or no reason we can know.

rockin' jeans and a tee
At the same time, maintaining respect for ourselves and others, and deliberately noticing and affirming the good things that do happen, can make us happier people who are more fit to do right by ourselves and others.  She comes across as, dare i say it, 'wise beyond her years'.  Saccharine-sweet 'positive or else!' sentiments tend to leave me cold.  Weesha's outlook demonstrates that optimism can be a brave stance in this world.

carrying off graphic shapes and neon color pop with panache
It seems that a lot of people who read this blog move in the same circles of the 'blogosphere', and my hunch is that most of you know of each other.  But i'm not how sure how many of you know Weesha - i don't see any real 'cross-commenting' going on.  Now that you know Weesha, don't be a stranger!

That Smile!

As you know, we spent Halloween at mom's.  Turns out mom had been cleaning out her closets, and i bagged a few choice items for myself while helping her bag them up for the Goodwill.  I've always had a hankering for pique polo shirts, but never felt 'me' while wearing one. But this blue was so nice, and seemed to blend well with my blue shirtwaist....



I was in a mood to wear my blue shirtwaist dress as more of a skirt, and my new polo shirt bloused over the dress just so. The dress collar even played nice with the shirt.  I got another oversized polo from mom in heather grey at the same time, but it's jersey instead of pique.  It doesn't drape so much as make random, origami-style shapes. As a result, my hips looked like the Sydney Opera House had crash-landed on them.  However, it didn't mind being tucked in, and you'll see the resulting outfit in future.

no comment re pose. but you can see the lining!

It's much easier for me to come up with an outfit that feels 'me' in the dressier range of things. So i was very happy to have created a casual look in which i felt so comfortable.  And how easy is the formula "skirt + casual tee or polo + belt + snazzy shoes"?   Thanks, Mom!!!


Polo, Tights, Scarf: gifts
Hoodie: Aeropostale
Dress: own design, inspired by Work With What You Got
Belt: Betsey Johnson
Beret: ????
Shoes: Beautifeel, 10+ years old

Wednesday, October 13, 2010

T. Rex On Location


 i was never in any danger - these are casts of a Tyrannosaurs rex skeleton, not the actual fossil bones.

Well, these shots happened on the spur of the moment.  Mr. E was invited to a pre-game get together with 'the guys' in the Bear's Lair at UC Berkeley Saturday morning (they were playing UCLA, apparently that's a big deal).  I found out about 7:30, 8:00pm the night before.....so i was going to have a couple of hours to wander around campus in the morning. (I'd wanted to go to Jay Schaeffer's Tiny Open House up in Sebastapol that day.  But Jay's having open houses every month now, and we'd seen his previous tiny house already. 'Beers with the boys' won out.)

I knew immediately i'd go try to get some shots of myself with the Tyrannosaurus rex mount in the atrium at the new Life Sciences building.  Why that?  Here's a favorite picture of myself, at around age twenty one, on the windowsill next to my bedside:


I'm at the old Academy of Sciences in Golden Gate Park, standing in front of an Allosaurus mount.  I'd been interested in dinosaurs since i was around three. When we moved from Fresno to the Bay Area (i was in kindergarten), mom got us excited about the move by touting all the dino mounts they had at UC Berkeley.  I've always had a fascination with ancient times, geology and natural sciences, different animals and plants. I'm known for that fascination, and for being able to spell 'paleontology' at the age of four. (That's my brother's varsity jacket - i am not known for any athletic ability whatsoever!)

blooper - this lady was very nice about it.  i told her don't worry, those memory cards are huge.

I've carried around that picture for years, and it's almost become a sort of totem. So there's no way i'd pass up the chance to get a pic with the even more ferocious T. rex.  The only problem - it's in a public place, and i was going to take the picture on a very busy day in that spot.  Well, as it turns out i've been doing enough self-pictures at home and on location that i felt confident about getting some decent shots.  And i did!  Even a few months ago i don't think i would've been able to pull this off.  So i thought i'd share the little that i've learned about shooting yourself on location with you.

First, practice at home as much as possible!  The more you are familiar with your camera, posing, what lite conditions work best for you, how high you like the camera to be and how far away you like it to be, the more relaxed you will be when on location. You'll have enough new variables to keep you occupied without creating more for yourself to cope with. I like to use my body as a 'measuring stick' - i know that i like the camera at about hip height, and about 5 paces away when the camera is on end. If you know these 'measurements' you can scope out locations whenever you run across them. This information is especially important if you don't have a tripod and need to find a shelf, bench, etc. to hold your camera for the shoot.

blooper - framing can be a pain with no tripod and no one to look thru the viewfinder.  review your pics frequently and take lots of shots.

If you feel at all nervous or ill at ease about photographing yourself 'in public', come up with 'your story' beforehand. Just a sentence will do - frankly most people couldn't care less and will be most concerned with not blocking your shot.  But knowing how you will handle inquiries will make you less feel flustered so you can concentrate better. 99% of the time, my conversations go like this:  them: 'So why are you taking a picture of yourself in front of a T. rex?'  me: 'oh, i wanted to take a picture of myself in front of a T. rex.'  them: 'oh. Wow! Great.' Especially if you're in an even remotely tourist-y location, people don't care. Everyone who's noticed me has been really nice and considerate. So don't worry about it - hop on in if you want!

Make Sure Your Camera Is Visible. You don't want it to get trampled or knocked off a ledge! Set a big bag, sweater, or a stack of books next to it so people won't sit or step on it.  Even if you use a tripod, the equipment is so small today that it's easy to miss, especially in a busy public space where most people are pretty distracted.  Also, pay attention to where you place your camera.  You don't want it falling into a scummy pond or trashbin. Gusts of wind can take out a tiny camera.  Taking a minute to tie your camera to a pole or bench could help avoid disaster.

blooper - a tour of prospective students came through. i waited 'em out.

Consider the Time Of Day. Do you want to have a lot of people in your shot, or have to deal with shooting 'around' them? What are the 'busy' times in the location you're considering? What is the lighting situation? If there are a lot of tall trees or buildings in the area, you could have large areas in deep shadow by mid-afternoon (which can be hard to shoot around). If you are inside, is there a lot of natural light or is it largely incandescent or flourescent?  If you don't like how these lights look in photos, do you know how to use a filter to counteract the effect, or how to photoshop it away? (I don't!)

Also, certain locations (museums, stadiums, theatres) will be swamped with people on some days of the week and deserted on others. You might want to check schedules for any special events as well. Events with a lot of people in costume or decorations can offer great photo opportunities.

a decent shot!  persistence pays off.

Give Yourself Plenty of Time.  I was hanging around that dinosaur for about 45 minutes or an hour.  Take a book or your iPod.  You'll want to take even more shots than usual because of all the potential bloopers.  And you don't want to be a pest - three boys were there with two of the boys' father, and they had a fantastic time taking pics and playing around that dinosaur before going to see the Big Football Game. They even spotted some UCLA fans!!!! I just hung out and read while they had a blast.  It's a public place, everyone should be able to enjoy it.

You'll also want to spend some time checking out the area for interesting angles and details you may not have noticed that could add to your photos. Wander around, up and down, crouch down, look up stairways and down from landings or balconies.  Look through the viewfinder to see how the camera will capture the same space from different angles. I've always loved this Pteranodon mount, but have never had any luck with photographing it - all those rails overwhelm the delicate bone structure.

spot the pteranodon - if you can.

But after 40 minutes of sitting and wandering around, i noticed:



Holy Cats! there's a dinosaur flying through the Life Sciences building!

These shots aren't perfect, but they give a much better feel of the excitement of being right next to this long dead, flying creature in the building's atrium. Many locations have an 'obvious' angle from which they are photographed. Often, that angle has become popular because it's recognizable and makes for a pleasing composition. But if you can find another angle or take on a familiar spot, the photograph becomes more your own.



Finally, What To Wear. That's a whole book in itself, so i'll just mention a couple of ideas.  The basic question is do you want to blend in or harmonize with the environment, or do you want to create a dramatic contrast between yourself and the background location? Do you want to create an association between your outfit and the location (wearing a Victorian-style blouse in front of a Victorian-era house, leopard print blouse at the big cat enclosure in the zoo, etc.). I'd already settled on this outfit before i knew i'd be at UCB. But i do like the bright blue against the yellow tones of the T. rex, and the prim, ladylike feel of the outfit against the savage, rugged bones and teeth.


I love shooting on location - there are so many amazing places out there and the creative opportunities are unbelievable. You are putting yourself on display, though......but if the creative side of you wants to explore this type of photography, it's completely worth doing. Just prepare as best you can beforehand, and be flexible when you get there. If anyone asks what you're up to, just brazen it out.  It's a blast!

Dress: own design, inspired by Work With What You Got
Petticoat: own design, inspired by Alisa Burke
Shoes: Clark's Passion
Hat: ??? from the Berkeley Hat Company
Stockings: ??? from The Dark Garden
Earrings: liliswan on etsy
Scarf: wedding gift

Tuesday, August 24, 2010

On The Lam

From the heat! Here in the San Francisco Bay Area, we've had an unusually cool summer, but yesterday we started a mini-heat wave (mini in days, not fahrenheits - 99 yesterday, predicted 102 today) and had a grass fire to boot. So today i'm hiding out/sheltering in place to avoid the heat but also the terrifically crappy air quality. I've had bouts of severe asthma-type breathing troubles since i was fifteen. Mostly things go downhill for no obvious reason. But sometimes a bad spell has followed a really bad fire season, so i take extra care to avoid the smoke. This morning the sky looked fairly clear but the air just smelled like filthy ashes. Luckily, i have a great project to keep me happily occupied indoors - i got some 100% cotton ripstop fabric on Sunday for making a replacement pair of cargo pants. I ripped apart my last pair (with the 6" long tear in the upper thigh) and am using the pieces as a base for a new pattern. Yay!

I got these shoes at the REI used gear sale. They are Merrell Siren's with Gore Tex, a $100 shoe in perfect condition which we got for $19.83. It's been years since i have had any type of hiking or walking shoe since it's hard to fit my feet. What a find! The REI used gear sale is a scene. You have to get to the store at 5 or 6 am and wait in line until 8am, when they start to hand out tickets for the sale, which starts at 10am. They let in 20 people every fifteen minutes, and you get to stay in the sale room for fifteen minutes. Fortunately you can take anything you can carry out of the sale room and decide whether or not to buy it at your leisure. None of the shoes had sizes marked anywhere easily visible, so i just grabbed whatever Merrell's i could find (i've had good luck with that brand in the past) and tried them on outside. If you spend a lot of time outdoors and/or have no money, it's very worthwhile. The deals are amazing, but you never know what will be there.

This get-up is easy for walking and doing stuff around the house. I've worn it twice in the past couple of weeks. This outfit shows the way a pattern can tie two colors together. The dress would look fine combined simply with the hat and shoes since the latter are a neutral khaki color. But adding the underskirt with the khaki stripe takes things more to the level of an 'outfit', as opposed to whatever clothes you happen to be wearing at the same time. When you're working with a color and a neutral, it's not such a big deal. But if you were pairing forest green and burgundy, say, or coral and lime green, adding a pattern containing both colors to your look will make your outfit seem much more thought-out and on purpose. The pattern helps the viewer's eye to 'make the connection' between the two colors.

Adios compadres! I better sign off before 'they' figure out where i am.....

Hat: Tula
Dress: own design, inspired by Work With What You Got
Skirt: own design
Shoes: Merrell Siren
Belt: vintage

Tuesday, July 13, 2010

Thank You Erin!

A while back Erin at Work With What You Got posted an outfit where she wore two 'mis-matched' earrings, to mixed reviews amongst family and friends. I thought she looked great (as usual), but got more excited when i realized she's just solved a vexing problem of mine.

Almost a couple of years ago, i lost the mate to one of my favorite pair of earrings. They are little acorns with leaves in sterling, very finely worked. They work like a pair of studs - throw them on with anything and they won't call too much attention to themselves. But anyone giving a closer look finds them captivating. And they symbolized my love of the oaks in California.

For some reason, most likely because i lost the mate at a very upsetting time in my life, i focused on the loss instead of how i could still wear the earring i loved so much. But when i saw Erin's post, the penny dropped and i remembered i have had a perfect match to the little acorn since i was 22 or so:


A sterling and marcasite salamander. And as it turns out, the arboreal salamander loves to live in the arms of our oak trees.......this will be a perfect pair of camping earrings!

Just an around the house outfit - i belted the dress and only buttoned a couple of buttons around the waist, so it read as a dress over another, frilly undies dress. I'm getting better at my outfit pictures, but i still have a ways to go!

Here's some tips to get you started on 'matching mis-matched' earrings. Try out pairing different earrings that are similar in:
size, shape, color or color scheme, pattern, where they sit on the ear (post vs. dangly), material (wood, sterling, gold and so on), subject depicted, or aesthetic style (punk, victorian, etc.)

Earrings with similarities among more variables will look more like you did it on purpose. I've found that the most important variables tend to be overall size and where the earring sits on your ear.
For example, two earrings shaped like anchors, in similar sizes, both dangling from a post, one silver and one gold, one in a clean modern style and one with an 'antique' feel will most likely look great. But if one is a 1/2" long clip-on and the other a 4" long dangler it will be harder to pull off. However, experiment and go with what feels right to you! If you're nervous, choose a more casual occasion to try out your new pairing to see how you like it. (You can even follow my example and just wear them around the house.) Good luck and Happy Mis-Matching!


Dress: own design, inspired by Work With What You Got
Tank: Jockey
Petticoat: own design, inspired by Alisa Burke
Belt: vintage Coach
Sneaks: Converse via T.J. Maxx
Earrings: vintage salamander, acorn from Tail of the Yak in Berkeley, CA

Thursday, June 17, 2010

All Hail The Shirtdress!

Comfy, throw it on and you look put together instantly, buttons all down the front offer a myriad layering possibilities, wash 'n wear......i was inspired in this design by Erin's post on Work With What You Got. Erin's is a blog worth following for her consistent style and honest approach to writing. also very tasty accessories (drool)!

I've been wearing Dansko clogs long enough to have worn out one pair already. These Marcelle's are at least four years old and still going strong. I can't recommend Dansko clogs highly enough for supportive comfort. I'm thinking these Professionals (in the brown tooled leather) could be good for the next pair. I like red shoes, but it's hard to wear them and not have the whole outfit be about the red shoes. My general preference is to have an outfit be about the whole outfit, not just a part. So 'background' but interesting shoes (like the Pro's i have my eye on) are always welcome at the Eccentrics'.

Dress: own design, inspired by this dress on Work With What You Got
Belt: ??? very ancient
Shoes: Dansko Marcelle
Book: Dimensions: A Casebook of Alien Contact by Jacques Vallee